Pan's Labyrinth
Astounding.
This is the way fairy tales used to be -- before they got bleached, pressed, and de-linted by half-wits trying to protect tender ears. Before they got Disney-fied. Sure, there's violence here, some of it shocking, but none of it gratuitous. Could it give a kid nightmares? Maybe. But given today's pablum stories, maybe it's about time.
Pan's Labyrinth takes us directly into the subconscious, and into the storyforms that infuse all of the great myths, fairy tales, and religions. It's a rich and satisfying stew of symbolism, mystery, and redemption. Multilayered and inspiring, it's a film you'll want to see again. It's hard not to gush, but it's been so long since a movie this good has made it into the quasi-mainstream.
What makes Pan's Labyrinth most effective is it's juxtaposition of harsh "reality" and the mysterious world that lives side by side with it. The heroine, a young girl who may carry a magical seed of immortality (the soul of god's only child who once...
A Haunting and Beautifully Crafted Film
First of all, this film is not suitable for children. It is intended to be an adult fairytale with a young girl as its protagonist. Everyone I know who have viewed this film has loved it, including my 75 year old father, who is not really into foreign films or art films.
The is not suitable for children for a few scenes of torture and violence. While difficult to watch, it serves to create a sense of real peril, ugliness, cruelty and evil that propels our protagonist to seek comfort in another world of grotesque beauty. She is a young girl in the midst of a brutal civil war where both sides reside under her roof, and the only reason she is safe is because her mother is pregnant by a fascist general. There is a sense that this safety is precarious and could evaporate quickly due to circumstances beyond her control.
The protagonists other world is sparked by a discovery of an old labyrinth by the old house where the general holds his position and has a doctor see...
Into the labyrinth
If anyone wants to know where the dark, creepy fairy tales of old went, here's a hint: Guillermo del Toro is doing a pretty good job with the fairy tales for adults.
"Pan's Labyrinth" ("El Laberinto del Fauno") is a sequel of sorts to "The Devil's Backbone," a magical realism film about the Spanish Civil War. But this movie takes us deeper into a world that is half real, half ominous fairy tale, with a unique and imaginative story and some really excellent acting -- in short, a triumph.
Time and place: 1944, Spain. Ofelia (Ivana Baquero) and her very pregnant mother travel to meet her new stepfather, the brutal and murderous Captain Vidal (Sergi López). Ofelia loathes her new stepfather, but is transfixed by the eerie forests around them -- and one night she is visited by a fairy, and encounters a giant faun who tells her that she is Princess Moanna of the netherworld, and must return there.
To do so, he tells her that she must do three things,...
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